Area of Specialization
Shirin Fozi spends as much time as possible looking at medieval things, with a focus on visual culture in Germany and France during the tenth through twelfth centuries. Her primary interest is monumental sculpture: its patterns of production, its use to reach broad audiences in medieval Europe, and its reception in the post-medieval world. In recent years these interests have led her to complete a book on figural tomb effigies (Penn State, expected 2021) and co-edit a volume of essays by art historians and conservators on wood sculptures of Christ crucified (Brepols, 2020). Her current research grapples with a series of architectural programs that echo a Mediterranean visual tradition but appear at twelfth-century sites far north of the Alps. Such sculptures reflect not only the migration of artists across vast distances, but also a widespread medieval fascination with ivories, rock crystals, and other luxurious materials that moved across far-flung networks in an era often associated with the travels of pilgrims and crusaders.
These interests are integrated into the courses Fozi teaches at Pitt, which range from introductory surveys to graduate seminars. While Fozi’s research mostly centers on the period ca. 900-1200, and gravitates towards the Harz region of Germany, she teaches the Middle Ages from ca. 300-1500 and works constantly to broaden the geographic range of her classes. She also offers core courses in HAA and Museum Studies, and especially enjoys leading the “History and Ethics of Collecting” seminar because it examines foundational questions about the ownership and ethical management of cultural property. In Fall 2017 Fozi’s exhibition seminar culminated in a show on the Nationality Rooms in the Cathedral of Learning; she has many ideas for future University Art Gallery installations that will respond creatively to the presence of modern medievalist art and architecture in Pittsburgh.
Before joining the faculty at the University of Pittsburgh, Fozi was a Mellon postdoctoral fellow at Northwestern (2010-13). During her time as a graduate student at Harvard, Fozi also worked as an intern and lecturer at the Boston Museum of Fine Arts, a museum teacher at the Isabella Stewart Gardner Museum, and a curatorial intern at Dumbarton Oaks. These early experiences helped shape her commitment to connecting students with museum collections; in recent years she has organized class excursions to see medieval exhibitions in cities including Chicago, Cleveland, New York, and Toronto. Together with her colleagues, Fozi works hard to secure funding to ensure such opportunities are accessible for as many Pitt students as possible.
Ph.D. Harvard University (2010)
M.A. Harvard University (2005)
B.A. Williams College (2001)
Romanesque Tomb Effigies: Death and Redemption in Northern Europe, 1000-1200. University Park: Penn State University Press, in press.
Christ on the Cross: The Boston Crucifix and the Rise of Medieval Wood Sculpture, 970-1200, edited with Gerhard Lutz. Studies in the Visual Cultures of the Middle Ages, vol. 14. Turnhout: Brepols, 2020.
“Reinhildis has died: Ascension and Enlivenment on a Twelfth-Century Tomb,” Speculum 90/1 (January 2015), 158-94.
"A Mere Patch of Color: Isabella Stewart Gardner and the Shattered Glass of Reims Cathedral." Memory, Commemoration, and Medieval Europe, edited by Elma Brenner, Meredith Cohen, and Mary Franklin-Brown. Ashgate (2013), pp. 321-44.
Millard Meiss Publication Fund Grant, College Art Association, Spring 2019, for Romanesque Tomb Effigies.
Jewish Studies Course Development Grant, University of Pittsburgh, 2019.
John G. Bowman Travel Grant for Faculty Research, University of Pittsburgh, 2018.
Article of the Month, Feminae: Medieval Women and Gender Index, February 2015, for “Reinhildis Has Died.”