Director of Graduate Studies and Assistant Professor
Area of Specialization
Shirin Fozi spends as much time as possible looking at medieval things, with a particular emphasis on works of art produced in Germany and France during the tenth through twelfth centuries. Her current research is focused on monumental sculpture, and she is especially interested in the memorials and funerary monuments that began to appear in northern Europe during this period. Now that two major projects – her own monograph on Romanesque tomb effigies and also a co-edited volume on the first generation of life-sized crucifixes to appear in European sculpture – have been submitted for publication, Fozi is turning her attention to questions about abstraction, style, and identity as expressed in architectural sculpture. Some of this work comes out of her interest in medieval treasury arts, including metalwork, ivory, and rock crystal, and the ways in which Mediterranean materials were collected and absorbed by northern European patrons in an era associated with the travels of pilgrims and crusaders.
These research interests are integrated into the courses on medieval art that Fozi teaches at Pitt, from introductory surveys to graduate seminars. While Fozi’s own research remains centered on the period ca. 900-1200, her teaching covers the Middle Ages from ca. 300-1500, and she is constantly working to broaden the geographic range of every class she offers. Fozi also takes a keen interest in Museum Studies, and particularly enjoys teaching a course on the History and Ethics of Collecting that is a requirement for the Museum Studies minor at Pitt. In Fall 2017 she is leading an exhibition seminar that will culminate in a show on Pittsburgh’s Nationality Rooms (November 2017), and she has many ideas for future University Art Gallery exhibitions that will respond creatively to the presence of medieval and Renaissance art in Pittsburgh.
Before joining the faculty at the University of Pittsburgh in 2013, Fozi spent three years as a Mellon postdoctoral fellow in medieval art at Northwestern. During her time as a graduate student at Harvard, Fozi kept busy as an intern and lecturer at the Museum of Fine Arts in Boston, where she contributed to research on topics including the eleventh-century Boston Crucifix and the sixteenth-century Calenberg Altarpiece. Fozi has also served as a museum teacher at the Isabella Stewart Gardner Museum and a curatorial intern at Dumbarton Oaks, where she helped organize a loan exhibition on the theme of the cross in Byzantine art.
Ph.D. Harvard University (2010)
A.M. Harvard University (2005)
B.A. Williams College (2001)
“Reinhildis has died: Ascension and Enlivenment on a Twelfth-Century Tomb,” Speculum 90/1 (January 2015), 158-94.
[Review] Christian Schuffels, Das Brunograbmal im Dom zu Hildesheim (Schnell + Steiner, 2012), in: The Medieval Review, 13.10.24 (2013).
"A Mere Patch of Color: Isabella Stewart Gardner and the Shattered Glass of Reims Cathedral." Memory, Commemoration, and Medieval Europe, edited by Elma Brenner, Meredith Cohen, and Mary Franklin-Brown. Ashgate (2013), pp. 321-44.
Provost’s Special Initiative in the Humanities Grant, University of Pittsburgh, 2017.
Romanik-Forschungspreis for the best unpublished dissertation on a high medieval topic in any humanistic discipline. Europäisches Romanik Zentrum, Merseburg, Germany, 2011.
Dissertation Completion Fellowship, Andrew W. Mellon / American Council of Learned Societies Early Career Fellowship Program, 2009-10.