Graduate
Dissertations 1977 - 2009
Student |
Date |
Advisor |
Title |
| Harkness, Kristen | Apr-09 | McCloskey | The Phantom of Inspiration: Elena Polenova, Mariia Iakunchikova and the Emergence of Modern Art in Russia |
| Piok Zanon, Cornelie | Apr-09 | Weis | The Sanctuary of Demeter at Pergamon: Architecture and Dynasty in the Early Attalid Capital |
| Rojas-Sotelo, Miguel | Apr-09 | Smith | Cultural Maps, Networks, and Flows: The History and Impact of the Havana Bienniale 1984 to the Present |
| Huebner, Karla | Dec-08 | McCloskey | Eroticism, Identity, and Cultural Context: Toyen and the Prague Avant-garde |
| Zitterbart, Sue | Aug-08 | Gerhart | Kumano Mandara: Portraits, Power, and Lineage in Medieval Japan |
| Dimitrova, Kate | Apr-08 | Stones | Unraveling Christ's Passion: Archbishop Dalmau de Mur, Patron and Collector, and Franco-Flemish Tapestries in Fifteenth-Century Spain |
| Dolan, Marion | Dec-07 | Stones | The Role of Illustrated Aratea Manuscripts in the Transmission of Astronomical Knowledge in the Middle Ages |
| Persinger, Cindy | Dec-07 | McCloskey | The Politics of Style: Meyer Schapiro and the Crisis of Meaning in Art History |
| Eisman, April | Aug-07 | McCloskey | Bernhard Heisig and the Cultural Politics of East German Art |
| Gunji, Naoko | Aug-07 | Gerhart | Amidaji: Mortuary Art, Architecture, and Rites of Emperor Antoku's Temple |
| Butler-Palmer, Carolyn |
Aug-06 | Savage & Smith |
I Won't Play Primitive to Your Modern: The Art of David Neel (Kwagiutl), 1985-2000 |
| Rejaie, Azar | Aug-06 | Wilkins | Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self-Portraits and the Patron's Role |
| Costa, Patrizia | Apr-06 | Harris & Wilkins |
The Sala delle Asse in the Sforza Castle in Milan |
| Tsuruya, Mayu | Aug-05 | Rimer | War Campaign Record Painting: Japan's National Imagery of the "Holy War" (1937–1945) |
| Scolari, Paul | Apr-05 | Savage | Indian Warriors and Pioneer Mothers: American Identity and the Closing of the Frontier in Public Monuments, 1890-1930 |
| Jiang, Yu | Aug-04 | Linduff | Statecraft and Cemetery in Early Dynastic China: Yu Funerary Arts in the Zhou |
| Wu, Xiaolong | Aug-04 | Linduff | Stylistic Traditions, Patronage and Cultural Identity in Ancient China: Bronze Artifacts of the Zhongshan State, Warring States Period (476-221BC) |
| Yong, Ying | Aug-04 | Linduff | The Status of Noble Women in the Spring and Autumn Period China-Evidence from Their Burials |
| Rhor, Slyvia | Apr-04 | McCloskey | Mural Painting and Public Education in Chicago, 1905-1941 |
| Rittlemann, Leesa | Apr-03 | McCloskey | Constructed Identities: The German Photobook from Weimar to the Third Reich |
| Chvostal, John | Aug-02 | Harris | Rethinking the Reform: A Study of the Early Careers of Ludovico, Agostino, and Annibale Carraci |
| Pearo, Charles | Apr-02 | Savage | Elizabeth Jane Gardner (1837-1922): Tracing the Construction of Artistic Identity |
| Golden, Judith | Dec-01 | Stones | Patronage and the Saints in the Devotional Miscellany British Library MS Egerton 745 |
| Hirayama, Mikiko | Apr-01 | Rimer | The Restoration of Realism: Kojima Kikuo (1887-1950) and the Growth of Art Criticism In Modern Japan |
| Sun, Yan | Apr-01 | Linduff | Negotiating Cultural and Political Control in North China during the Early Western Zhou Period: Elite Art and Their Use in Mortuary Ritual and Practice in the Yan State |
| Wang, Ying | Apr-01 | Linduff | Rank and Gender in the Bone Art at Anyang, the Late Shang Center |
| Bertrand, Anne | Dec-00 | Harris | Art and Politics in Counter-Reformation Paris: The Case of Philippe De Champaigne and his Patrons (1621 - 1674) |
| Gatewood, Deborah | Dec-00 | Linduff | Illustrating a Thirteenth Century Natural History Enclyclopedia: The Pictorial Tradition of Thomas of Cantimpré's "De Natura Rerum" and Valencienne's Ms. 320 |
| Li, Jian-jing | Dec-00 | Stones | Mapping Artifcacts of the Frontier: An Approach to Study of the Yan Mountainous Area in the Eastern Zhou Period (8th - 3rd Century BC) |
| Elliott, Therese | Aug-00 | Williams & Toker |
San Isidoro de Leon, From Palatine Chapel to Pilgrimage Church |
| Rode, Penny | Dec-99 | Linduff | The Social Position of Dian Women in Southwest China: Evidence from Art and Archaeology |
| McQueen, Alison | Aug-98 | Sheon | The Modern Artist and the Old Master: The Reinvention of Rembrandt in France, 1850-1900 |
| Berardi, Marianne | Apr-98 | Harris | Science into Art: Rachel Ruysch's Early Development as a Still-Life Painter |
| Csorba, Mrea | Dec-97 | Linduff | The Identification of Non-Dymastic Burial Practice Involving a Northern Tool Tradition on China’s Dynastic Frontier |
| Knutson, Anne | Dec-97 | Savage | Breast, Brawn, and the Selling of a War: American World War I Propaganda Posters |
| Schroeder, Ivy | Dec-97 | Savage | Minimalism for the Masses: Public Sculpture under the Federal Art in Architecture Program, 1972-1989 |
| Crary-Ortega, Laura | Apr-97 | Wilkins | Constructing a National Identity: The Self-Portraits of Frida Kahlo |
| Craven, Jennifer | Apr-97 | Wilkins | A New Historical View of the Independent Female Portrait in Fifteenth-Century Florentine Painting |
| Yan, Ge | Apr-97 | Linduff | The Coexistence of Artistic Styles and the Pattern of Exchange: Sanxingdui During the Second Millennium BC |
| Gilday, Rosi | Aug-96 | Wilkins | Politics as Usual: Depictions of Petrach’s Triumph of Fame in Early Renaissance Florence |
| Brown, Mark | Dec-95 | Hearn | Architecture of Steel: Sight Planning and Building Type in the 19th-Century American Bessemer Steel Industry |
| Apel, Dora | Apr-95 | McCloskey Weinstein |
Cultural Battlegrounds: Visual Imagery and the Tenth Anniversary of the First World War in Weimar Germany |
| Ferrillo, Lynn | Dec-94 | Sheon | Ravier Versus the Lyonnais Tradition: "Provincial" Art and The Avante-Garde In Nineteenth-Century France |
| Blackman, Susan | Dec-93 | Stones | The Manuscripts and Patronage of Jacques d'Armagnac, Duke of Nemours (1433-1477) |
| Marstine, Janet | Apr-93 | Wilkins | Themes of Labor and Industry in American Mural Painting, 1893-1914: The Gospel of Work |
| Neal, Kenneth | Apr-93 | Wilkins/ Linduff |
A Wise Extravaganza: The Founding of the Carnegie International Exhibition 1895-1901 |
| Crum, Roger | Dec-92 | Harris | Retrospection and Response: The Medici Palace in the Service of the Medici, c.1420-1469 |
| Huang, Tsui-Mei | Dec-92 | Linduff | The Role of Jade in Late Neolithic Culture in Ancient China: The Case of Liangzhu |
| Roark, Elisabeth | Dec-91 | Wilkins | Artist as Subject: Images of Artists in American Paintings, 1830-1860 |
| Peterson, Elizabeth | Aug-91 | Stones | The Iconography of the Historiated Psalm Initials in the Thirteenth-Century French Fully-Illustrated Psalter Group |
| Kunz, Lucy Embick | Apr-91 | Gordan/ Linduff |
Oskar Schlemmer (1888-1943), from his Early and Student Years through the Bauhaus Exhibition of 1923: An Artist Between Tradition and Modernity |
| Tise, Suzanne | Apr-91 | Shone | Between Art and Industry, Design Reform in France, 1850-1939 |
| Younger, Rina | Apr-91 | Wilkins | Paintings and Graphic Images of Industry in Nineteenth Century Pittsburgh: A Study in the Relationship Between Art and Industry |
| Mesnard, Ann Boylan |
Dec-90 | Williams | Manuscript Illumination at Santo Domingo de Silos |
| Dwyer, Britta C. | Aug-89 | Wilkins | Nineteenth-Century Regional Women Artists: The Pittsburgh School of Design for Women, 1865-1904 |
| Harris, Julie Ann | Apr-89 | Williams | The Arca of San Millan de la Cogolla |
| Choi, Seung Kew | 1988 | Linduff | Tomb Complexes of the Later Han Dynasty in the Shandong Area: Structural and Iconography Problems of Huaxiang Shima |
| Connelly, Francis | 1987 | Sheon | The Origins and Development of Primitivism in Nineteenth-Century French Art and Aesthetics |
| Kiefer, Carol Solomon |
1987 | Sheon | Cezanne's Magdalen: New Sources and Meanings |
| Dimmick, Lauren | 1986 | Wilkins | Thomas Crawford, American Sculptor in Rome: Portrait Busts and Ideal Works |
| Mower, Gudrun | 1986 | Haskins | Oriental Influnces on 12th-Century Relief Sculpture of Vladimir-Suzdal |
| Belnap, Gillian Bennett |
1985 | Wilkins | The Apartment Buildings of Frederick G. Scheibler, Jr., with a Catalogue of his Multiple Residences |
| Pardo, Mary | 1984 | Wilkins & Summers |
Paolo Pino's Dialogo di Pittura: A Translation with Commentary |
| Schultz, Bernard | 1982 | Wilkins & Summers |
Art and Anatomy in Renaissance Italy |
| Hellerstedt, Kahren | 1981 | Wilkins | The Hurdy-Gurdy from Hieronymous Bosch to Rembrandt |
| Raizman, David | 1980 | Williams | The Las Huelgas Beatus (N.Y., Morgan Library, Ms. 429) and Late Romanesque Illumination |
| Sieger, JoAnne | 1980 | 'Pictor Ignotus': The Early Christian Pictorial Theme of 'Christ and the Church' and its Roots in Patristic Exegesis of Scripture | |
| Tai, Doris Jung Chu | Aug-79 | Haskins | The Life and Work of T’ang-yin” (1470-1524) |
| Morselli, Piero | 1979 | Wilkins | A Corpus of Tuscan Pulpits - 1400-1550 |
| Thornton, Joy A. | 1979 | Renaissance Color Theory and Some Paintings by Veronese | |
| Klukas, Arnold | 1978 | Hearn | Altaria Superioria: The Function and Significance of the Tribune-Chapel in Anglo Norman Architecture. A Problem in the Relationship of Liturgical Requirements and Architectural Form. |
| Peglau, Michael | 1978 | Summers | Image and Structure in Vincent Van Gogh’s Late Painting |
| Smith, Sarah | 1978 | Heller | Flower Symbolism in the Paintings of Dante Gabriel Rosetti |
| Pepin, Patricia | 1977 | Hearn | The Monumental Tombs of Medieval England |
