Colloquium
Wed
Apr
17
2013
“A Window into the Making of Architectural History in Great Britain (1800-1850)”
Wed
Apr
10
2013
“Between Affect and Archive: The Struggle to Represent the Quwwat-ul-Islam Mosque”
Wed
Apr
03
2013
“Artist, Auteur, or Performer—What’s the Difference? Some Problems of Art-Cinematic Authorship in Andy Warhol’s San Diego Surf (1968)”
Wed
Mar
20
2013
“Silencing Machine: Peter Roehr’s Film Montages as Queer Disavowal”
Wed
Feb
27
2013
"Information Visualization and Visual Studies: An Exploration"
Wed
Feb
20
2013
Designing a Grad Seminar for the Constellations: A Case Study in Progress
Wed
Feb
06
2013
"The Nirvana Services of Ishiyama-dera and Kofukuji: Architectural Space and Ritual in A Heian Court Dance Ceremony" and "From Mausoleum to Buddha Hall: Form and Function at Kenchōji’s Buddha Hall"
Wed
Jan
30
2013
"The Power of Owning Exclusive Knowledge: The Socio-political Significance of Secrecy in Ashikaga Shogunal Art Manuals" and "Sites of Encounter: The Ban Dainagon Ekotoba and the Representation of Liminal Spaces in Early Medieval Japan"
Thu
Jan
24
2013
"Contemporaniety as a Quality of Our World Picture" at the Center for Interpretive and Qualitative Research, Duquesne University
