K
Rome
Fortune Critique
The fortune critique of an artist is the study of the level of fame and reputation of that artist from his/her death to the time the art historian is writing. These studies attempt to explain why the popularity of some artists dropped or increased during specific historical periods.
Henri Bonnart's copy after Callot's The Fan
- Etching with engraving, after 1619 [inv.47-28]
- Inscribed, lower left: Chez N. Bonnart, lower right: Iacomo Callot
Solomon Savri's copy after Callot's The Fair at Impruneta
- Etching, after 1620 [inv.48-361]
- [42.5 x 65.5]
- Signed in the inscription below the image.
Anonymous copy after Callot's Frontispiece of the Balli di Sfessania
- Etching, 1621-22 [inv.47-364]
- [7 x 9.5]
- The inscription below the print reads: `Balli di Sfessania by Jacques Callot.'
Anonymous copy after Callot's Scapino and Zerbino [Balli di Sfessania]
- Etching, 1621-22 [inv.47-66]
- [7 x 9.5]
- Inscribed, upper right: 8
- Impression with background.
Anonymous copy after Callot's Scapino and Zerbino [Balli di Sfessania]
- Etching, 1621-22 [inv.47-66b]
- [7 x 9.5]
- Impression without background.
Jacques Callot's The Crossing of the Red Sea
- Etching, 1629 [inv.1972.01.182BB665a]
- [14 x 24.5] (L665)
- Inscribed, lower right: Callot. f.
Anonymous copy after Callot's The Crossing of the Red Sea
- Etching, after 1629 [inv.47-33]
- [13.2 x 23.5]
- Inscribed, lower right: Callot f.
